{"id":481,"date":"2019-01-30T17:58:51","date_gmt":"2019-01-30T17:58:51","guid":{"rendered":"http:\/\/locallinkages.org\/?page_id=481"},"modified":"2019-06-26T13:52:12","modified_gmt":"2019-06-26T17:52:12","slug":"3-6-analyzing-music","status":"publish","type":"page","link":"https:\/\/locallinkages.org\/course\/module-3\/3-6-analyzing-music\/","title":{"rendered":"3.6 Analyzing Music"},"content":{"rendered":"
Estimated time to complete this section: 18 minutes<\/h6>\n

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Specific musical works, as well as performances of musical works, provide a record of history and culture. Music reflects the debates and explorations of manners, morals, politics, and social change in a given space and time. Comprehensive analysis of music moves beyond viewing these texts as simple reflections; it also examines the ways they interact with other texts and sources (including other pieces of music, cover art, promotional materials, or costuming), as well as the multiple ways they might have been interpreted, performed and used over time.<\/p>\n

There are three components to music analysis: analyzing the music as a document, analyzing its historical contexts, and determining its meaning(s). Each component of analysis will require the use of other documents that may be in library holdings: for example, song lyrics, tunes, and arrangements may be located in a variety of printed materials, such as manuscripts, broadsides and sheet music. Other sources, such as photographs, sheet music covers, trade publications, fan clubs and magazines, and business records, and personal papers may provide information regarding historical context, as well as meaning.<\/p>\n

3.6 Video<\/h4>\n